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      <image:title>Work - Pillar and Floor</image:title>
      <image:caption>Installation, raw red clay and plaster, Forårsudtelling 2015, Charlottenbørg, Denmark</image:caption>
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      <image:title>Work - Grande Botanical #1 Ceramic Ornament, Stoneware ceramic, white glaze, 110x95cm, 2019</image:title>
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      <image:title>Work - Passageway</image:title>
      <image:caption>Passageway, Unfired red clay and wood, 130x120x160cm In this project I investigate the definition of ‘in between space’ as for conceptual and physical space. In between space is neither in one place or another. For me it is the learning that occurs culturally and mentally. I interpret this concept by designing a step ladder, upon the acknowledgement of its symbolic function of passageway between places and the journey in which the destination is out of sight or unknown. In the work unfired clay forms the body of the step ladder, which lies on a wooden structure composed of aligned wooden pins anchored on the floor. With this arrangement of materials I want to emphasize the application of the negative space in the construction and the contrast between the materials’ physical and aesthetic qualities. By exploiting the ambiguousness of the object I invite contemplation for its metaphorical and functional role. Reform Design Biennale 2018, Munkeruphus, Denmark</image:caption>
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      <image:title>Work - Come Again-Grand Ornament</image:title>
      <image:caption>Raw clay composition, performance 24 September 2020, raw clay on wood panel, 180 by 120 by 20 cm</image:caption>
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      <image:title>Work - Rå/Stof 2023</image:title>
      <image:caption>In an interaction between visual artists, researchers, land managers and local communities, the exhibition site investigates how to jointly strengthen a cultural and sustainable development with soil as a focal point, which in different ways shows the potential of soil in a social, cultural and sustainable context.</image:caption>
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      <image:title>Work - Alga</image:title>
      <image:caption>Medium: watercolor ink on 300gr Fabriano White Satin paper Size: 132x84cm Framing: Solid smoked oak and UV70 glass “The drawings seams to contain something almost eerie. This feeling may also be sensed under water. Here, surrounded by indefinite mass and darkness on all sides, the sense of locality and orientation is lost, which may provoke an existential and romantic fear of the unknown and of perdition, terrifying and fascinating at the same time. A feeling which Manuel Canu has evoked in his big drawings by letting the seaweed motif appear in dim shades or almost black against a soaked, dark curtain of intense blu color which gives the illusion of looking into the deep, dark water.” *quote from @christinarauhoxboll. This work was part of the exhibition’Nature Traces and Reflections’ at @claykeramikmuseumdanmark</image:caption>
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  <url>
    <loc>http://www.manuelcanu.com/manuelcanu</loc>
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    <lastmod>2025-05-19</lastmod>
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      <image:title>Manuel Canu</image:title>
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    <loc>http://www.manuelcanu.com/manuelcanu-cv</loc>
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    <lastmod>2025-10-23</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-03-13</lastmod>
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      <image:title>Publications - Ivo Khan</image:title>
      <image:caption>The kill, the hunt and the fall Here is the story of a man of honest intents turning into a villain, the rage of a depicted God that once loved him, the rise and fall of an empire and the tragic ephemerality of life which we dare not look in the eyes. Click on the image to read the story</image:caption>
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      <image:title>Publications - CLICK HER FOR THE FULL ARTICLE</image:title>
      <image:caption>EXTRACT FROM THE EXHIBITION CATALOGUE</image:caption>
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    <lastmod>2021-09-28</lastmod>
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